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语音训练对大学生英语听力理解的影响分析
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安德罗妮丶The Girl on the Train by Paula Hawkins | 9 | Hardcover | Barnes & Noble
The Girl on the Train
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Instant #1 New York Times Bestseller
“Nothing is more addicting than&The Girl on the Train.”—Vanity Fair
“The Girl on the Train has more fun with unreliable narration than any chiller since Gone Girl. . . . [It] is liable to draw a large, bedazzled readership.”—The New York Times
“Like its train, the story blasts through the stagnation of these lives in suburban London and the reader cannot help but turn pages.”—The Boston Globe
“Gone Girl&fans will devour this psychological thriller.”—People&
A debut psychological thriller that will forever change the way you look at other people's lives.
Rachel takes the same commuter train every morning. Every day she rattles down the track, flashes past a stretch of cozy suburban homes, and stops at the signal that allows her to daily watch the same couple breakfasting on their deck. She’s even started to feel like she knows them. “Jess and Jason,” she calls them. Their life—as she sees it—is perfect. Not unlike the life she recently lost.
And then she sees something shocking. It’s only a minute until the train moves on, but it’s enough. Now everything’s changed. Unable to keep it to herself, Rachel offers what she knows to the police, and becomes inextricably entwined in what happens next, as well as in the lives of everyone involved. Has she done more harm than good?
Compulsively readable, The Girl on the Train is an emotionally immersive, Hitchcockian thriller and an electrifying debut.
Editorial Reviews
The New York Times
- Janet Maslin
The Girl on the Train has more fun with unreliable narration than any chiller since Gone Girl…Paula Hawkins…[is] no slouch when it comes to trickery or malice…Ms. Hawkins scrambles the timing of scenes, with Megan gone in one chapter and then present in the next. She also shifts well among her narrators' points of view to keep the reader on edge, and only as the book progresses do these different perspectives begin to dovetail. Scrambling a story is easy, but it's done here to tight, suspenseful effect.
Publishers Weekly★ 11/10/2014
Rachel Watson, the principal narrator of Hawkins’s psychologically astute debut, is obsessed with her ex-husband, Tom. She’s having a hard time putting the past behind her, especially since she confronts it daily, during the hourlong commute to London from her rented room in Ashbury, Oxfordshire, when her train passes the Victorian house she once shared with Tom. She also frequently spies an attractive couple, four doors down from her former home, who she imagines to be enjoying the happily-ever-after that eluded her. Then, suddenly, the woman, pixie-ish blonde Megan Hipwell, vanishes—only to turn up on the front page of the tabloids as missing. The police want to question Rachel, after Anna, Tom’s new wife, tells them that Rachel was in the area drunkenly out of control around the time of Megan’s disappearance. Hawkins, formerly deputy personal finance editor of the Times of London, deftly shifts between the accounts of the addled Rachel, as she desperately tries to remember what happened, Megan, and, eventually, Anna, for maximum suspense. The surprise-packed narratives hurtle toward a stunning climax, horrifying as a train wreck and just as riveting. Agent: Lizzy Kremer, David Higham Associates (U.K.). (Jan.)
NPR.orgIt's difficult to say too much more about the plot of The Girl on the Train; like all thrillers, it's best for readers to dive in spoiler-free. This is a debut novel — Hawkins is a journalist by training — but it doesn't read like the work of someone new to suspense. The novel is perfectly paced, from its arresting beginning it's not an easy book to put down. …what really makes The Girl on the Train such a gripping novel is Hawkins' remarkable understanding of the limits of human knowledge, and the degree to which memory and imagination can become confused.
Entertainment Weekly Must List...a gripping, down-the-rabbit-hole thriller.
<The Thriller So Engrossing, You'll Pray for Snow: Send in the blizzards, because nothing as mundane as work, school or walking the dog should distract you from this debut thriller. A natural fit for fans of Gone Girl-style unreliable narrators and twisty, fast-moving plots, The Girl on the Train will have you racing through the pages.
Associated Press StaffPaula Hawkins deftly imbues her debut psychological thriller with inventive twists and a shocking denouement. … Hawkins delivers an original debut that keeps the exciting momentum of "The Girl on the Train" going until the last page.
USA TodayThe Girl on the Train marries movie noir with novelistic trickery. … hang on tight. You'll be surprised by what horrors lurk around the bend.
Minneapolis Star-TribuneA riveting, confounding, frustrating and entertaining read. …Hawkins' tale of love, regret, violence and forgetting is an engrossing psychological thriller with plenty of surprises.… The novel gets harder and harder to put down as the story screeches toward its unexpected ending.
NewsdayThe Girl on the Train is as tautly constructed as Gone Girl or A.S.A. Harrison's The Silent Wife, and has something more: a main character who is all screwed up but sympathetic nonetheless. Broken, but dear. …No matter how well it's written, a suspense novel can fall apart in the last pages, with an overly contrived or unbelievable ending. Here, The Girl on the Train shines, with its mystery resolved by a left-field plot twist that works, followed, surprisingly, by what you might call a happy ending.
< Best Books of January[L]ike Gone Girl, Hawkins's book is a highly addictive novel about a lonely divorcee who gets caught up in the disappearance of a woman whom she had been surreptitiously watching. And beyond the Gone Girl comparisons, this book has legs of its own.
From the Publisher“The Girl on the Train has more fun with unreliable narration than any chiller since Gone Girl. . . .&The Girl on the Train is liable to draw a large, bedazzled readership too. . . . The Girl on the Train is full of back-stabbing, none of it literal.”—Janet Maslin, The New York Times
“The Girl on the Train marries movie noir with novelistic trickery. . . hang on tight. You'll be surprised by what horrors lurk around the bend.”—USA Today
“Like its train, the story blasts through the stagnation of these lives in suburban London and the reader cannot help but turn pages. . . . The welcome echoes of Rear Window&throughout the story and its propulsive narrative make The Girl on the Train an absorbing read.”—The Boston Globe
“[The Girl on the Train] pulls off a thriller's toughest trick: carefully assembling everything we think we know, until it reveals the one thing we didn't see coming."—Entertainment Weekly&
“Gone Girl fans will devour this psychological thriller. . . . Hawkins’s debut ends with a twist that no one—least of all its victims—could have seen coming.”—People&
“Given the number of titles that are declared to be 'the next' of a bestseller . . . book fans have every right to be wary. But Paula Hawkins’ novel The Girl on the Train just might have earned the title of 'the next Gone Girl.”—Christian Science Monitor&
“Hawkins’s taut story roars along at the pace of, well, a high-speed train. …Hawkins delivers a smart, searing thriller that offers readers a 360-degree view of lust, love, marriage and divorce.”—Good Housekeeping
“There’s nothing like a possible murder to take the humdrum out of your daily commute.”—Cosmopolitan
"Paula Hawkins has come up with an ingenious slant on the currently fashionable amnesia thriller. . . . Hawkins juggles perspectives and timescales with great skill, and considerable suspense builds up along with empathy for an unusual central character."—The&Guardian
“Paula Hawkins deftly imbues her debut psychological thriller with inventive twists and a shocking denouement. &… Hawkins delivers an original debut that keeps the exciting momentum of The Girl on the Train&going until the last page.”—Denver Post
“The Girl on the Train, Hawkins’s first thriller, is well-written and ingeniously constructed.”&–&The Washington Post
“The novel is at its best in the moment of maximum confusion, when neither the reader nor the narrators know what is occurring” –&The Financial Times
“This fresh take on Hitchcock’s Rear Window&is getting raves and will likely be one of the biggest debuts of the year.”—Omaha World-Herald
“Hawkins’s tale of love, regret, violence and forgetting is an engrossing psychological thriller with plenty of surprises. . . . The novel gets harder and harder to put down as the story screeches toward its unexpected ending.”—Minneapolis Star Tribune
“A gripping, down-the-rabbit-hole thriller.”—Entertainment Weekly Hotlist&
“The Thriller So Engrossing, You'll Pray for Snow: Send in the blizzards, because nothing as mundane as work, school or walking the dog should distract you from this debut thriller. A natural fit for fans of Gone Girl-style unreliable narrators and twisty, fast-moving plots, The Girl on the Train will have you racing through the pages."—
“It's difficult to say too much more about the plot of The Girl on the Train; like all thrillers, it's best for readers to dive in spoiler-free. This is a debut novel—Hawkins is a journalist by training—but it doesn't read like the work of someone new to suspense. The novel is perfectly paced, from its arresting beginning it's not an easy book to put down. . . . . What really makes The Girl on the Train such a gripping novel is Hawkins' remarkable understanding of the limits of human knowledge, and the degree to which memory and imagination can become confused.”—NPR.org&
“[L]ike Gone Girl, Hawkins's book is a highly addictive novel about a lonely divorcee who gets caught up in the disappearance of a woman whom she had been surreptitiously watching. And beyond the Gone Girl comparisons, this book has legs of its own.”—GQ.com
“Paula Hawkins’ thriller is a shocking ride.” –US Weekly
“An ex-wife indulges her voyeuristic tendencies in Paula Hawkins’s film-ready The Girl on the Train. In the post-Gone Girl era, crimes of love aren’t determined by body counts or broken hearts, but by who controls the story line.” –Vogue &
“The Girl on the Train [is] a harrowing new suspense novel…a complex and thoroughly chilling psychological thriller… The Girl on the Train is one of those books where you can’t wait — yet almost can’t bear — to turn the page. It’s a stunning novel of dread.” –New York Daily News
“The Girl on the Train by Paula Hawkins is a psychologically gripping debut that delivers.” –The Missourian
“The Girl on the Train&is the kind of slippery, thrilling read that only comes around every few years (see&Gone Girl).” –BookPage
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“Hawkins, a former journalist, is a witty, sharp writer with a gift for creating complex female characters.” –Cleveland Plain Dealer
“The Girl on the Train is as tautly constructed as Gone Girl or A.S.A. Harrison's The Silent Wife, and has something more: a main character who is all screwed up but sympathetic nonetheless. Broken, but dear. . . . No matter how well it's written, a suspense novel can fall apart in the last pages, with an overly contrived or unbelievable ending. Here, The Girl on the Train shines, with its mystery resolved by a left-field plot twist that works, followed, surprisingly, by what you might call a happy ending.”—Newsday
“I’m calling it now: The Girl on the Train is the next Gone Girl. Paula Hawkins’s highly anticipated debut novel is a dark, gripping thriller with the shocking ending you crave in a noir-ish mystery.” –Bustle
“Rachel takes the same train into London every day, daydreaming about the lives of the occupants in the homes she passes. But when she sees something unsettling from her window one morning, it sets in motion a chilling series of events that make her question whom she can really trust.”—Woman’s Day
“Hawkins’s debut novel is a tangle of unreliable narrators, but what will have readers talking is her deft handling of twists and turns and her eerily fine-tuned narrative. This is one creepy, dark thriller. . . . The book is smartly paced and delightfully complex. Just when it seems Hawkins is leading us one way, Rachel, Anna, or Megan change the game. Nothing can be taken for granted in The Girl on the Train, not even the account of the girl herself.”—Las Vegas Weekly&
"Psychologically astute debut . . . &The surprise-packed narratives hurtle toward a stunning climax, horrifying as a train wreck and just as riveting."—Publishers Weekly&(starred review)
“[A] chilling, assured debut. . . . Even the most astute readers will be in for a shock as Hawkins slowly unspools the facts, exposing the harsh realities of love and obsession's inescapable links to violence.”—Kirkus&(starred review)
“intricate, multilayered psychological suspense debut, from a staggered timeline and three distinct female narrators. Rachel, who is unabashed in her darker instincts, anchors the narrative. Readers will fear, pity, sympathize and root for her, though she's not always understandable or trustworthy. . . . En route to a terrorizing and twisted conclusion, all three women—and the men with whom they share their lives—are forced to dismantle their delusions about others and themselves, their choices and their respective relationships.”—Shelf Awareness
"This month we're gearing up for Paula Hawkins's mystery&The Girl on the Train. Its three narrators keep readers guessing as they try to suss out who's behind one character's shocking disappearance. Can you figure out who did it before they do?"—Martha Stewart Living
“What a thriller!”—People Style Watch&
“Hawkins keeps the tension ratcheted high in this thoroughly engrossing tale of intersecting strangers and intimate betrayals. Kept me guessing until the very end.”—Lisa Gardner, #1 New York Times–bestselling author of the Detective D. D. Warren series
“I simply could not put it down.”—Tess Gerritsen, New York Times–bestselling author of the Rizzoli and Isles series
“Gripping, enthralling—a top-notch thriller and a compulsive read.”—S. J. Watson, New York Times–bestselling author of Before I Go to Sleep
“Be ready to be spellbound, ready to become as &obsessed. . . . The Girl on the Train is the kind of book you’ll want to press into the hands of everyone you know, just so they &can share your obsession and you can relive it.”—Laura Kasischke, author of The Raising
“What a group of characters, what a situation, what a book! It’s Alfred Hitchcock for a new generation and a new era.”—Terry Hayes, author of I Am Pilgrim
“Artfully crafted and utterly riveting. The Girl on the Train’s clever structure and expert pacing will keep you perched on the edge of your seat, but it’s Hawkins’s deft, empathetic characterization that will leave you pondering this harrowing, thought-provoking story about the power of memory and the danger of envy.”—Kimberly McCreight, New York Times–bestselling author of Reconstructing Amelia&
Library Journal10/15/2014
Every day, Rachel takes the same London commuter train and passes the same suburban scenery, yet one house catches her eye—mainly because of the married couple she glimpses living there. This leads Rachel to conjure up an entire dream life for this husband and wife, even naming them and giving them make-believe careers. Rachel's life has been spiraling downward, and her fantasy about this couple gives her a little joy. But all is not what it seems and Rachel is soon embroiled in a murderous thriller. Each chapter is narrated by either Rachel or Anna, who's married to Rachel's ex-husband, or, Megan, the woman Rachel sees from the train, but, unfortunately, by using this format, debut author Hawkins confuses the reader. With only a brief look into backstory, undeveloped characters offer no reason or motivation for their actions, and none of them is likable. VERDICT This disappointing psychological thriller is being touted as the next Gone Girl and has already been purchased for film adaptation. So while it may not be the best, it will be popular. For fans of Sophie Hannah or S.J. Watson. [See Prepub Alert, 7/21/14.]—Marianne Fitzgerald, Severna Park H.S., MD
Kirkus Reviews★
Desperate to find lives more fulfilling than her own, a lonely London commuter imagines the story of a couple she's only glimpsed through the train window in Hawkins' chilling, assured debut, in which the line between truth and lie constantly shifts like the rocking of a train.Rachel Watson—a divorced, miserable alcoholic who's still desperately in love with her ex-husband, Tom—rides the same train every day into London for her dead-end job, one she unsurprisingly loses after one too many drunken outbursts. Continuing her daily commute to keep up appearances with her roommate, Rachel always pays special attention to a couple, whom she dubs "Jess and Jason," who live a seemingly idyllic life in a house near her own former home. When she sees a momentary act of infidelity, followed soon after by news that Jess—whose real name is Megan Hipwell—has disappeared, Rachel is compelled to share her secret knowledge, becoming enmeshed in the police investigation, which centers on Megan's husband, Scott. Further complicating matters is the fact that the night Megan vanished, Rachel has a hazy memory of drunkenly stumbling past the Hipwell home and seeing something she can't quite recall. Hawkins seamlessly moves among Rachel's present-day story as the investigation into Megan's disappearance widens, Megan's own life leading up to her disappearance, and snippets about Anna, the woman for whom Tom left Rachel. Even the most astute readers will be in for a shock as Hawkins slowly unspools the facts, exposing the harsh realities of love and obsession's inescapable links to violence.
Average Rating 4
Suspense novel suited to the female market perhaps
This thrille
Suspense novel suited to the female market perhapsThis thriller is narrated by three main female characters: Rachel is the main character, an alcoholic jobless woman who is struggling to get her life back on track.Megan, also unemployed, who lives in a house facing the train track along which Rachel&s train stops every day. Anna, Rachel&s ex-husband&s second wife, who lives a few doors up from Megan.Megan goes missing and Rachel spends her time trying to work out what happened to her. The plot involves the men in their lives and Rachel&s attempts to find out the truth about Megan&s fate while perhaps getting her life in order. None of the characters are particularly likeable and all of them lie which makes finding the truth tricky.I found the book a bit slow and was tempted to abandon it halfway through. However I persisted and found it engaging in the end. Perhaps it is better suited to the female reader.
86 out of 126 people found this review helpful.
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COULD NOT PUT IT DOWN!
What happens when you know information o
COULD NOT PUT IT DOWN!What happens when you know information on a missing person but no one will believe you because you are an &unreliable witness?&
That is what Rachel, the main character in this book, is going through in this thriller that is completely reminiscent of Hitchcock's Rear window.
It was written from the prospectives of three different women.
All characters are train wrecks waiting to happen.
It was like watching a wreck happen in slow motion.
There were lots of twists and turns and just when I thought I had it pegged, I would find out something else and be steered in a different direction.
Though I did not care much for any of the characters, the book was extremely well written.
The author did an amazing job of building the intensity of the plot.
It did start a little slow, but as the story progressed, I just could not put it down!
I had to find out what happened to Meghan -- the missing girl.
The author also did a great job of portraying the life of an alcoholic.
She hit the nail on the head with that one.
Anyway, incredible job for a debut book.
I absolutely will be looking for more from this author.
Thanx Ms. Hawkins for a fantastic read and a night of no sleep!
52 out of 60 people found this review helpful.
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I hope unputdownable is a legit word because it most definitely
I hope unputdownable is a legit word because it most definitely describes THE GIRL ON THE TRAIN! So glad to report that THE GIRL ON THE TRAIN definitely lives up to all the pre-release buzz and anticipation!So I begin on page 1 (where else?!) and I&m reading, reading, reading & there&s just this hard-to-define quality that makes it so easy to get sucked into the story right away & and I&m turning page after page, and then, bam! The next chapter switches to someone else&s point of view. I should have expected this since the first chapter was titled Rachel, but the chapter heading was just something I noticed and promptly forgot about as I dove into the story. And I was like, who is this new person?! What about Rachel?! What is going on?! But I ended up loving how the narration changed for each chapter & it leaves readers wanting more because Hawkins often concludes chapters with mini-cliffhangers or an unexpected revelation.And speaking of narration, I really liked how things (a vague term, I know, but I don&t want to spoil anything!) were revealed. Little clues, from the past and present, that just paint a bigger picture as to who the characters are and what brought them to their present state-of-affairs. I loved how with the drop of a sentence, Hawkins could completely change what you thought was going on with someone and their situation. This same effect can also get you to empathize with an unlikable character & because these characters are definitely flawed and have their own issues and secrets.I stayed up well past midnight to finish up THE GIRL ON THE TRAIN. I will admit though, I was a tiny bit disappointed in how things were revealed (starting around page 260 or so) and wrapped up. But overall, I really enjoyed my reading experience & I even gasped aloud a few times startling my husband out of his own reading reverie. THE GIRL ON THE TRAIN is an impressive first novel and I&d definitely read whatever Hawkins writes next.As a side note, there is profanity in this book. However, the explicit language choices did make sense in character and context so, much to my surprise, it didn&t end up being an issue for me.Disclosure: I received a complimentary review copy from the publisher in exchange for an honest review. The opinions are my own.
32 out of 37 people found this review helpful.
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Page turning thriller!
You won't be able to put this down! I felt for Rachel and mourned for all she had been through.
I couldn't stop reading. An amazing book, you will tear through the chapters wanting more. I look forward to more from this author!
25 out of 28 people found this review helpful.
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Slow and a bit choppy to start, the main character not remembering things became tiresome and repetitive. The story became more interesting as it went on, though. Actually seemed as though the writing got better too as the plot progressed. All in all, not bad for a debut novel, but the comparisons to &Gone Girl& are misleading. The only thing the two books have in common is the first person narration changes throughout.
22 out of 25 people found this review helpful.
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In spite of positive critical reviews and best seller status, I
In spite of positive critical reviews and best seller status, I found this to be a rather dissatisfying &Gone Girl& (GG) wannabe. Without spoiling the plot for those of you who want to read it anyway, it replicates GG's basically unlikable main characters. In fact, none of the characters in this book have much going for them that way. It also copies the narrative technique of switching storytellers throughout the book. However, the switches are between three characters and uneven in the timing, so I found myself going back and forth between chapters to check on the when the particular narrative was occurring. Which brings me to a major peeve. The chapters are named with both the character name and date. However, the Table of Contets only lists the character name, so you can't go back and get a sense of timing from looking at the TOC. All you get is a list of names. Given the disjointed sequencing of the chapters, this is very frustrating.The main character and storyteller is Rachel, a young woman whose life has descended into a messy, alcoholic haze after a battle with infertility and the break-up of her marriage. Her thoughts break from reality and it can be a little difficult figuring out when she's talking in reality, her daydreams or from a drunken stupor. The other main character is Megan, a young married with a secret, and in my book, a major case of borderline personality. Another storyteller whose narrative is harder to follow than necessary. The third voice is more straightforward and doesn't have much depth.I love a good mystery and part of the enjoyment for me is figuring it all out by the end. For me, this ending cheated the reader because it didn't come from a connect-the-dots progression of events. I expected more.
19 out of 25 people found this review helpful.
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Beginning was slow, I had to push through the first 1/4 of it.
I guessed who had killed Meagan before I finished reading it.
I had to know if I was right and how it ended so I finished the book in 2 days.
Overall not a bad book, but it doesn't draw you in right away like Gone girl.
19 out of 33 people found this review helpful.
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Great Read!
Great Read!
17 out of 25 people found this review helpful.
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Slow to get started, and was tempted to abandon it halfway throu
Slow to get started, and was tempted to abandon it halfway through.
However I finished ,and found it average in the end.
16 out of 24 people found this review helpful.
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Finished this book in one day, simply couldn't put it down!
Finished this book in one day, simply couldn't put it down!
15 out of 22 people found this review helpful.
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Great Story
Like this book a lot, different type of plot, unfolds very well, made it fun to quess who done it. I hope to see many more books from this creative and fesh author. Great story, artfully written.
10 out of 11 people found this review helpful.
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Loved this book!! The characters are so disturbed yet you don't
Loved this book!! The characters are so disturbed yet you don't dislike them.
I was unsure of who did it until the end.
I couldn't put it down but at the same time, didn't want to finish it because I loved it so much!!
Read this if you loved Gone Girl or The Silent Wife.
8 out of 9 people found this review helpful.
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So repetitive a scenario that boredom became routine. Very Disap
So repetitive a scenario that boredom became routine. Very Disappointing.
6 out of 9 people found this review helpful.
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This is not Gone Girl...the comparisons are just marketing.
This is not Gone Girl...the comparisons are just marketing.
The book is mediocre with none of the n suspense and plot twists of Gone Girl.
Three different female characters narrate from their individual perspective and I didn't care for any of them.
I found the characters to be so immensely flawed and morally depleted that I didn't care what ultimately happened to them.
Upon completion, I thought everyone reaped what they sowed.
6 out of 8 people found this review helpful.
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I had a hard time reading the first half of this book. It seemed
I had a hard time reading the first half of this book. It seemed to drag, and I couldn't get into the characters. The second half of the book picked up, and the ending was good.&
6 out of 7 people found this review helpful.
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I was so aggravated with myself for wasting my time finishing th
I was so aggravated with myself for wasting my time finishing this book.
None of the characters were likeable.
If the train had run over all of them it would have been a better story.
5 out of 5 people found this review helpful.
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It started off slow amNotNd.It started off slow and it took me a while to figure out the people involved. Not the best but ok.
5 out of 12 people found this review helpful.
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4 out of 8 people found this review helpful.
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Intriguing!
Couldn't put it down! Awesome read!!!
4 out of 5 people found this review helpful.
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Intense mystery
This book was fast-paced and intelligent.
I enjoyed reading different characters'
points of view.
The personal struggles of each character were involved and heartfelt.
I recommend this book highly, and I look forward to her next book.
3 out of 5 people found this review helpful.
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